Review by Derrick Carter
Running Time: 1 hour 50 minutes
MPAA Rating: PG-13 for Violence, Action and Scary Images, and for some Suggestive Content and partial Nudity
Directed by: Alex Kurtzman
Written by: David Koepp, Christopher McQuarrie & Dylan Kussman
Starring: Tom Cruise, Annabelle Wallis, Sofia Boutella, Jake Johnson, Courtney B. Vance, Marwan Kenzari & Russell Crowe
To be perfectly honest, I consider 1932’s THE MUMMY to be the worst Universal Monster movie (right below the missed opportunity that was THE INVISIBLE MAN). More honesty, I love the 1999 Brendan Fraser reboot and even like THE MUMMY RETURNS. I was looking forward to Universal’s new reboot of THE MUMMY and appreciated they were sticking to a more action-oriented approach. However, 2017’s THE MUMMY is not so much its own movie as it is a prologue that lays groundwork for future films in Universal’s so-called Dark Universe (interconnected reboots of classic monsters). I’m sad to say that this new MUMMY isn’t much fun at all and easily ranks as the worst big screen outing I’ve had since 2015’s FANTASTIC FOUR.
In Iraq, thief/soldier Nick Morton (Tom Cruise) and his bandit buddy Chris Vail (Jake Johnson) accidentally uncover a hidden tomb. Inside the underground burial site, there’s treasure, camel spiders and one mercury-covered sarcophagus. Much to the dismay of his archeologist love-interest Jennifer Halsey (Annabelle Wallis), Nick shoots a chain and awakens a cursed mummy. The mummy is Princess Ahmanet (Sofia Boutella) and she’s “chosen” Nick to be her future vessel for Egyptian god of violence Set. Jennifer and Nick desperately try to break the curse before it’s too late, all while Ahmanet raises rotting henchmen and tries to piece together a cursed dagger to bring about her evil plan. Also, Dr. Jekyll/Mr. Hyde (Russell Crowe) pops up as a Nick Fury type character…for some reason.
One might hope that Tom Cruise’s sheer charisma might save THE MUMMY from being absolutely insufferable to sit through, but you’d be terribly mistaken. Cruise is playing his role on auto-pilot, lacking a single ounce of his usual action-hero swagger or one believable emotion. THE MUMMY is easily the worst film in Cruise’s rather good filmography. During many points, Cruise just seems to be trying to imitate Brendan Fraser’s character from the 1999 version and failing to understand why Fraser was so good in those movies. Every time Cruise attempts a bit of off-kilter humor or a one-liner, it hits with a dud and winds up being shockingly unfunny.
However, Cruise’s performance seems award-worthy when compared to costar Annabelle Wallis, who comes off like the discount version of Emily Blunt. She’s bland, wooden, and lacks any charm whatsoever, though she attempts to be funny at certain points too and even tries (and fails) to inject emotional stakes into the proceedings. Jake Johnson is annoying as Cruise’s partner, who pops up in a gimmick that’s ripped off from the decaying friend in AMERICAN WEREWOLF IN LONDON. Also, Russell Crowe is in this movie as Dr. Jekyll and Mr. Hyde…for some reason.
Finally, there’s Sofia Boutella as the titular monster herself. This actress was fantastic as the blade-legged baddie in KINGSMAN, so I was hoping she would deliver a cool villainess here. I was sadly mistaken because Princess Ahmanet can’t seem to do a damn thing for herself. She kisses people to death and has a lame final confrontation, but that’s about it. Her other scenes typically involve undead henchmen helping her, alongside poorly rendered CGI sand storms and occasional spiders/rats.
Speaking of which, THE MUMMY’s effects are piss poor to the point where they resemble something from 2004’s horrid VAN HELSING or a typical Syfy channel movie. The worst example of this comes in Mr. Hyde, who’s just a grayish cross-eyed CGI version of Russell Crowe. There’s also a monster in the film’s finale that’s cartoonishly awful and somehow Universal expects to re-incorporate this effect into their later Dark Universe installments. This all being said, I did have brief fun watching Cruise fight Ahmanet’s mummified henchmen in two scenes and that alone saves this movie from being a complete failure.
THE MUMMY’s biggest sin is that it’s barely a movie and plays more like a feature-length prologue for other movies in the Dark Universe line-up (the next being 2019’s BRIDE OF FRANKENSTEIN). That Dark Universe now seems highly unlikely, given that this film has underperformed at the box office and received negative responses from both critics and audiences alike. There was not a single gasp, cheer, scream, laugh or emotional response to be found from the audience I saw this film with. THE MUMMY is a dull piece of non-entertainment, in which story, scares, and fun all take a backseat to set up future installments in a series that probably won’t even happen. THE MUMMY is everything wrong with modern Hollywood because it treats the audience like idiots, recycles material without ever realizing what made it work in the first place, and hopes that viewers will be suckered into coming back for the next chapter in a cinematic universe. You should treat this film like an ancient Egyptian curse and avoid it!