Review by Derrick Carter
Running Time: 1 hour 21 minutes
MPAA Rating: PG-13 for Continuous Crude Sex-Related Humor and Language, and for a Drug-Related Scene
Directed by: Mike Judge
Written by: Mike Judge & Joe Stillman
Voices of: Mike Judge, Demi Moore, Bruce Willis, Robert Stack, Cloris Leachman, Richard Linklater, Dale Reeves, Greg Kinnear, David Letterman & Tony Darling
Before SOUTH PARK was the most controversial cartoon around, MTV’s BEAVIS AND BUTT-HEAD was blamed for corrupting the youth of America. However, the joke was on the show’s haters because lots of people enjoyed watching Mike Judge’s cartoon about two metalhead morons. His shorts gained so much popularity that MTV immediately approached Judge to make a feature film. After rejecting the misguided offer for a live-action BEAVIS AND BUTT-HEAD movie, Judge brought the two boys to the big screen in glorious animated fashion. BEAVIS AND BUTT-HEAD DO AMERICA is a frequently hilarious comedy that packs in colorful visuals and a high level of energy from start to finish.
One morning, dimwitted couch potatoes Beavis (Mike Judge) and Butt-Head (also Judge) wake up to find their TV has been stolen. The boys venture off to grab a new television and this leads them straight into the path of lowlife criminal Muddy Grimes (Bruce Willis), who mistakes the teens for a pair of hired killers. Beavis and Butt-Head misinterpret Muddy’s offer of 10 thousand dollars to “do his wife” and set off to Vegas with intentions to “score.” The two idiots are soon thrust into a national conspiracy. Crazy hijinks, sexual innuendos, peyote-induced hallucinations, more attempts to score with chicks, and the reemergence of The Great Cornholio soon follow.
In transitioning from the small screen to the big one, Mike Judge realized that the crude animation of BEAVIS AND BUTT-HEAD’s shorts simply wasn’t going to fly on a giant theater screen. So he gave the boys and their world a colorful makeover. Having watched some of the shorts before and after seeing this film, the background animation and wide aspect ratio makes a huge difference to the viewer’s eye. Judge takes the two dim-witted metalheads across famous locations and puts them in crazy scenarios that are sure to please fans of Mike Judge’s comedy in general. It bears mentioning that I’m not the biggest BEAVIS AND BUTT-HEAD fan, but I still had an absolute blast watching this film.
This screenplay is chockfull of non-stop sexual innuendos (would you expect anything else from Beavis and Butt-Head?) and clever twists of fate. Judge has lots of low-brow jokes, but also packs in plenty of smart humor that foreshadowed his future KING OF THE HILL series (which premiered a month after this film’s original release). Montages of absurd situations, smart references that don’t necessarily spell out the punchline for the audience, and the high-stakes conspiracy that this two teenage morons wander around in make for one very entertaining film. There are jokes that fans of the show will appreciate more than the casual viewer, but the laughs come frequently and in ways you might not expect.
While Judge reprises the voices of Beavis and Butt-Head, he also puts in extra work as hippie teacher Van Driessen (who sings the unforgettable song “Lesbian Seagull”) and Hank Hill soundalike Tom Anderson. The supporting characters are voiced by notable big actors and actresses. Bruce Willis is hilarious as loose-cannon redneck Muddy Grimes, while Demi Moore (Willis’s wife at the time) plays scantily clad Dallas Grimes. Robert Stack receives huge laughs as a cavity-search-obsessed ATF Agent. Cloris Leachman is great as a little old lady who seems a bit too eager to hand out her prescription pills to Beavis. David Letterman and Tony Darling show up as familiar-looking roadies, while Greg Kinnear and Richard Linklater also have small parts.
In true BEAVIS AND BUTT-HEAD fashion, the film has a rockin’ soundtrack that features the likes of Red Hot Chili Peppers, White Zombie, Rancid and many more. These songs are mostly well placed, though the film occasionally interrupts the story’s flow to include them. A Vegas montage to “Love Rollercoaster” is quite fun to watch and so is a Rob Zombie illustrated hallucination in the desert. Even though this moments seem a bit jarring and Judge has admitted to MTV forcing his hand towards their inclusion, they remain enjoyable in the context of the film and on their own.
Not every joke in BEAVIS AND BUTT-HEAD DO AMERICA works, but the film has held up remarkably well over two decades later. A majority of the laughs seem geared towards fans and casual viewers alike, while the script is smarter than you’d expect. The film’s hand-drawn, larger-scope animation is impressive to look at. Meanwhile, the soundtrack adds an extra (literal) rockin’ layer of energy to the proceedings. Call me crazy, but BEAVIS AND BUTT-HEAD DO AMERICA is a better animated comedy than SOUTH PARK: BIGGER, LONGER & UNCUT (which occasionally felt forced and overstayed its welcome). If you don’t mind diving into Mike Judge’s cartoon about two pill-popping, sex-obsessed, rock-loving couch potatoes, then BEAVIS AND BUTT-HEAD DO AMERICA is a good time!