Review by Derrick Carter
Running Time: 1 hour 36 minutes
MPAA Rating: PG-13 for Thematic Elements, Crude and Suggestive Content, and for Language
Directed by: Sean Anders
Written by: Brian Burns, Sean Anders & John Morris
Starring: Will Ferrell, Mark Wahlberg, Linda Cardellini, Scarlett Estevez, Owen Wilder Vaccaro, Thomas Haden Church, Hannibal Buress & Bobby Cannavale
Like any other big comedic actor, Will Ferrell has gone through highs and lows. His highs have been hilarious (TALLADEGA NIGHTS), hugely entertaining (MEGAMIND), and surprisingly emotional (STRANGER THAN FICTION). His lows have been bland (GET HARD), disappointing (ANCHORMAN 2), and outright terrible (BEWITCHED). DADDY’S HOME made a splash in last year’s box office and is now Will Ferrell’s highest grossing live-action film. That’s a bit depressing, because this lame comedy is nowhere near Ferrell’s best and actually falls near the bottom of his output. DADDY’S HOME is confused about whether or not it wants to be light-hearted family friendly comedy or the usual crude PG-13 Ferrell fest. The film’s tone suggests the former, while the sex/penis jokes suggest the latter. As a result, DADDY’S HOME is a dull mess that isn’t really aimed at anyone in particular.
Brad Whitaker (Will Ferrell) is a dorky stepfather, who’s overly polite and a total pushover. Despite being happily married to his wife Sara (Linda Cardellini), Brad’s stepchildren Megan and Dylan are understandably reluctant to accept him as their dad. Just when doors seem to be opening up between Brad and the kids, they receive a phone call from their biological father Dusty (Mark Wahlberg). Through a misunderstanding, Dusty invites himself to visit for a week and Brad begins to engage in a full-blown “dad off” between himself and Dusty. Wild and crazy antics ensue, except they really don’t because these jokes feel a bit tame, far-fetched, and outright stupid.
DADDY’S HOME reveals a big problem in its first ten minutes. Brad seems like a sociopath, even though the movie is trying to portray as a lovable clumsy doofus. Through his opening narration, Ferrell’s stepfather protagonist all but directly tells us that the main reason he even married Sara was because she had kids. Remember, we’re supposed to be rooting for this guy. The script also goes too far in showing us what a geek Brad is. Of course, he works at a slow jazz radio station. Of course, he has uncomfortable conversations with his boss. Of course, he keeps misunderstanding what his step-kids want from him. He’s a dork…but ain’t he lovable? Yeah, not really.
That’s not to say that Mark Wahlberg’s character is likable either, but at least Dusty is set up as one-dimensional antagonist from the start. The film’s characters act like he has charisma that simply wasn’t evident to me and then slowly pulls back layers to reveal Dusty’s true intentions…like they weren’t obvious from the start. The underhanded tactics that Dusty uses make him completely unlikable, but Brad and Sara still keep him around out of misguided reasons. Even when Dusty invites a random guy (played by Hannibal Buress) to start living with the family, they still allow him to stay in the house…because the film wanted it that way. Dusty also accompanies Brad to work and warms up to his boss…solely because the script called for it.
Many events in this movie only occur because the script called for them and not out from believable character decisions or a natural story flow. I know these might sound like dumb complaints for a PG-13 Will Ferrell comedy, but there has to be a level of consistency to make any story work. TALLADEGA NIGHTS was far funnier (I truly love that movie) and has more believability than DADDY’S HOME. This bland comedy simply moves from crude set-piece to even cruder set-piece and also tries to maintain a family friendly atmosphere by having the story bring would-be heartfelt messages into the final third. This mix doesn’t work because it’s not well written, particularly funny and the characters are all unlikable scumbags.
At the end of the day, DADDY’S HOME is bland, forgettable, and not particularly funny. Adding insult to injury, this film tries to shoe-horn in a forced message about what it truly means to be a family and constantly feels like a jumbled mish-mash of two very different movies. To make matters even worse, the wife and children are merely regulated to game pieces that will be won by either scummy Wahlberg or sociopathic Ferrell. Even if it weren’t already a tonally confused mess, DADDY’S HOME would be seen as reprehensibly stupid, unfunny, and intelligence-insulting comedy thanks to a sloppy script. DADDY’S HOME might just be down there with BEWITCHED as one of Ferrell’s very worst films.