Review by Derrick Carter
Running Time: 2 hours 24 minutes
MPAA Rating: PG-13 for sequences of Violence, Action and Destruction, brief Strong Language and some Suggestive Images
Directed by: Bryan Singer
Written by: Simon Kinberg
(based on the X-MEN comics by Stan Lee & Jack Kirby)
Starring: James McAvoy, Michael Fassbender, Jennifer Lawrence, Oscar Isaac, Nicholas Hoult, Rose Byrne, Tye Sheridan, Sophie Turner, Olivia Munn, Lucas Till, Evan Peters, Kodi Smit-McPhee, Alexandra Shipp, Josh Helman, Ben Hardy & Lana Condor
After seeing the stinger at the end of DAYS OF FUTURE PAST, X-MEN fans were greatly anticipating the big screen appearance of the X-Men’s greatest foe: Apocalypse! With Bryan Singer returning to direct, it seemed like nothing would potentially go wrong with this ninth(!) installment in the X-MEN franchise. While APOCALYPSE definitely has its moments and glimmers of great potential, I couldn’t help but be reminded of X-MEN: THE LAST STAND during multiple points. APOCALYPSE isn’t quite as bad as that film, because it still manages to maintain a big dumb fun sense of entertainment. Still, prepare to be underwhelmed.
The year is 1983 and the events of DAYS OF FUTURE PAST have changed the world. Mutants and humans find themselves in danger when En Sabah Nur (a.k.a. Apocalypse, played by an unrecognizable Oscar Isaac) awakens from a centuries-long slumber in his Egyptian tomb. This intimidating villain was history’s first mutant and has acquired a vast variety of powers throughout the years, making him pretty much invincible. Apocalypse is looking to break down our world and build a better one on top of it, recruiting four horseman along the way: Storm (Alexandra Shipp), Angel (Ben Hardy), Psylocke (Olivia Munn), and a newly enraged Magneto (Michael Fassbender). Pitted against Apocalypse and his four horsemen are Professor X (James McAvoy), Beast (Nicholas Hoult), Mystique (Jennifer Lawrence), Havok (Lucas Till) and Quicksilver (Evan Peters), alongside newcomers Cyclops (Tye Sheridan), Phoenix (Sophie Turner), and Nightcrawler (Kodi Smit-McPhee). It’s mutants vs. god-like mutants in a showdown that will determine the fate of the world as we know it.
The X-MEN films often stick out in the crowded superhero genre, because they usually tackle subplots of self-discovery, prejudice, and civil rights as addressed through mutants. While APOCALYPSE has some of these elements, they are mostly overshadowed by a sloppy script covering familiar ground that’s already been seen many times before. This is basically a clichéd, by-the-numbers “good vs. evil” tale that happens to feature the X-MEN. To make matters worse, the screenplay is downright messy and unfocused. It seems like attention was being paid to the wrong details and important scenes were missing (opening up plot holes along the way). This ultimately leads to pacing issues that immediately spring up with four (count ’em, four!) prologue sequences before the main plot can even begin.
Though he’s a clichéd and one-dimensional baddie, Apocalypse remains cool nonetheless. Played by an unrecognizable Oscar Isaac under layers of make-up and a forty-pound costume, this evil mutant has various abilities that make him seemingly unstoppable. There were multiple points in this story where I wondered how the X-Men could possibly hope to defeat him. Though his preachy monologues can get repetitive, Apocalypse is genuinely scary in his ability to manipulate matter (making for lots of cool kills), teleport, being super strong and having psychic powers to boot. Though he may look a bit ridiculous, this cinematic version of Apocalypse more than resembles his comic book counterpart.
Other fresh faces come from a new class of young mutants and three of Apocalypse’s “horsemen.” It occasionally feels like APOCALYPSE is trying to cram too many mutants into one film and spends a lot time reintroducing each of them, which slows down the movie’s already mixed momentum. While I love the character of Psylocke and Olivia Munn is positively breathtaking in the role, she really isn’t given a whole lot to do other than fight. Storm and Angel both receives a strong introductions and then don’t do much afterwards. The horsemen (save for Magneto) mainly stand around, make Apocalypse look cool, and then engage in a quick fight or two.
I was really excited to see Tye Sheridan as Cyclops and Sophie Turner as Phoenix…but they both seem to be hit or miss in their roles. It’s almost as if they want to emulate James Marsden and Famke Janssen’s versions of the characters, but are also trying to do their own thing. This results in two uneven characters from performers who seem slightly uncomfortable in their roles. Kodi Smit-McPhee more than makes up for their shortcomings as Nightcrawler. McPhee has been hit-or-miss in his past roles, but Nightcrawler is easily one of his best performances. He nails the awkwardness of this teleporting, blue-tailed mutant. It doesn’t really bear mentioning how Jennifer Lawrence, James McAvoy, Rose Byrne, Nicholas Hoult, Evan Peters, and Michael Fassbender are in their roles, because they all have their parts down and have done so for two movies.
APOCALYPSE’s script suffers from a by-the-numbers plot, missing beats, and lots of filler (included for fan service and setting up future installments). The villainous William Stryker (Josh Helman) appears yet again and pads the film by an extra twenty minutes, but the pay-off to this comes in purposely erasing the worst X-MEN movie (no, I’m not talking about THE LAST STAND). The Blob and Jubilee make blink-and-you-missed-it appearances, which seemed like a waste of time for fans altogether. If you’re going to include these characters, show them doing something other than being dragged unconscious out of a fighting ring or walking down a hallway. Also, the Quicksilver scene from DAYS OF FUTURE PAST is replicated here to an eye-rollingly excessive degree.
On the positive side of things, APOCALYPSE excels in Magneto’s storyline. This tragic metal-bending villain is easily one of X-MEN’s most complex characters and a few powerful scenes expand upon his tragic past. The film looks good and is packed with convincing special effects. Though it becomes too over-the-top in places, X-MEN: APOCALYPSE remains entertaining enough. I am happy that I watched it, but probably won’t subject myself to it again, unless I’m doing an X-MEN marathon. APOCALYPSE is the third-worst X-MEN film (better than THE LAST STAND and ORIGINS: WOLVERINE) and is far from terrible, especially given the high quality from the rest of the series. If you’re an X-MEN fan, you’ll probably find things to like in this mixed bag installment. Still, prepare to walk away underwhelmed.