Review by Derrick Carter
Running Time: 2 hours 8 minutes
MPAA Rating: R for some Language including Sexual References
Directed by: Tom McCarthy
Written by: Tom McCarthy & Josh Singer
Starring: Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, John Slattery, Brian d’Arcy James, Stanley Tucci, Jamey Sheridan, Billy Crudup, Richard Jenkins & Len Cariou
SPOTLIGHT has been one of my most anticipated movies of 2015. Part of this is because of the impressive ensemble cast, but most of it stems from the hugely important true story that it portrays. This film was probably a risky project from the beginning as the script presents infuriating material and any filmmaker would have to be extremely careful in bringing this sort of story to the big screen. That’s exactly why SPOTLIGHT works as perfectly as it does. Tackling a touchy subject in the most tasteful manner possible and unfolding the story with expert pacing, director/screenwriter Tom McCarthy has brought to the screen one of the most important films in recent years. Though it’s probably too depressing and disturbing for some viewers, SPOTLIGHT is absolutely fantastic.
In 2001, the Boston Globe was a struggling newspaper with a strong investigative team called Spotlight. Struggling for their next lead and under the advice of a new editor, Walter Robinson and his fellow reporters are placed onto a potential powder keg of a story. With a lawsuit involving allegations of child molestation against a Catholic priest still fresh on everyone’s mind, the Spotlight team begins digging deep into this case. None of them are prepared for what they discover in a massive ring of pedophile priests, underhanded legal tactics, and cover-ups that go back decades. In order to break one of the most important news stories of the new millennium, the team will have to track down sources, uncover hidden paperwork, and deal with the Catholic church’s backlash.
SPOTLIGHT is a movie made of conversations. As such, the film hinges a lot on its cast. There is no single main character, but rather a team that’s viewed as a main character. The cast here is full of big names and a few of them are likely to receive nominations in the coming awards season. Michael Keaton proves that BIRDMAN wasn’t a fluke by acting his ass off as a reporter who’s made mistakes throughout his career. Mark Ruffalo dominates every scene as a man enraged at how deep this rabbit hole of a story goes. Amy Adams exudes soft-spoken comfort as a elapsed Catholic woman who approaches her victims with a wholly sympathetic, understanding eye. John Slattery is an aged reporter who’s skeptical as to whether or not the story is worth investigating. Meanwhile, Brian d’Acy James is remarkable as a father who discovers the story might hit closer to home than he originally thinks.
On the supporting side of things, SPOTLIGHT brings Liev Schreiber, usually typecast as an intimidating guy (e.g. RAY DONOVAN), as a dorky outsider to Boston. Schreiber plays the out-of-character role very well and gets us to feel for him even though he doesn’t receive nearly as much screen time as the rest of the Spotlight team. Billy Crudup is infuriatingly smarmy as a lawyer who’s made his living by making underhanded deals with the church, while Stanley Tucci is a frazzled lawyer who’s fighting for what is right. Tucci’s performance is especially memorable as his conversations with Mark Ruffalo are some of the most memorable scenes in the film.
Besides the excellent performances all around, SPOTLIGHT benefits from a stellar screenplay (which was formerly on the 2013 Black List) that treats its uncomfortable story in the most tasteful way possible. The film never aims for shock value (which it easily could have done during the victim interview scenes). Instead, it feels like a mix of conspiracy thriller and tragic drama. What’s equally as bold is that the film doesn’t take a potentially easy attack on religion and instead questions why bad people who are supposed to be doing good are allowed to get away with evil. The tone of the whole film aims for a mix of sad melancholy and constant anxiety. I found myself on the edge of my seat as Ruffalo’s Michael Rezendes races against time and the system to nab some public records that could bring ultimate proof to the table. An encounter that Adams’s Sacha Pfeiffer has with a pedophile ex-priest is highly disturbing. Meanwhile, Keaton’s Robinson finds himself making enemies out of former lawyer friends.
Above all of these things, SPOTLIGHT is powerful beyond words. It’s a true story that needed to be told and the people who ran the intense investigation should all be commended as journalistic heroes. Every painstaking step is examined as we watch the Spotlight team slowly uncover something abominable and make huge sacrifices to do what is right. Be warned, this film is depressing. I haven’t left a movie theater that bummed out since I saw 12 YEARS A SLAVE, but this film is rewarding and deserves every bit of praise it has been receiving. SPOTLIGHT is among the very best films of 2015!